The article discusses the mixed reputation of Starbucks, which, despite its attempts at corporate social responsibility, has been criticized for employee treatment and political stances. This serves as a backdrop for examining the impact of recent events, such as the COVID pandemic and the murder of George Floyd, which ignited significant movements for social justice across many sectors, including theatre. The author reflects on the broader implications of these changes for artistic communities and the continued challenges they face.
Starbucks has long been notorious for its poor treatment of employees and union-busting activities, claiming loyalty to shareholders rather than to the people.
The murder of George Floyd initiated one of the most significant racial reckonings in U.S. history, with industries—including theatre—facing scrutiny over their practices.
Collection
[
|
...
]