The article discusses a photographic series titled 'Heaven, Hollow & Hope,' which explores the complexities of moral identity through three thematic representations. Created by Soo Hahn and Manpreet Gehlan, the series features models embodying these themes, with Heaven emphasizing the longing for virtue, Hollow addressing the destructive nature of ambition and greed, and Hope representing renewal after self-destruction. The artworks invite introspection on the dualities of human experience, illustrating how these forces coexist and affect our moral understanding.
Heaven is the pursuit and chase of virtue and longing for salvation. It depicts angels reaching for a goddess, symbolizing our yearning for goodness and purity.
Hollow dismantles the chase of virtue in Heaven, questioning whether damnation is self-inflicted or a consequence of external forces, showcasing an eroded sense of innocence.
Hope depicts the renewal that follows self-destruction, recognizing that we are not bound to absolutes, and shows harmony between forces of heaven and hell.
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