The article explores the Britain in Pictures series launched by Collins in the 1940s, revealing its underpinnings in central European refugee contributions. Despite its nationalistic themes, the series was crafted by a team of mostly female designers and editors who fled fascism, including notable figures like Wolfgang Foges and Walter Neurath. This initiative, along with many others, illustrates how these immigrants shaped various aspects of British culture, from publishing to public art, demonstrating their essential role in a diverse cultural tapestry that shaped modern Britain.
In the early 1940s, the Britain in Pictures series embodied a patriotic ideal driven by central European refugees who significantly shaped British culture through their talents.
These refugees, often escaping fascism, contributed to diverse fields such as publishing, art, and architecture, yet remain under-recognised for their profound impact on British cultural identity.
Collection
[
|
...
]