Pundits declared it a foundational text, a beautiful corrective. One lauded her 'unapologetically revisionist' campaign against the patriarchal way in which the world's history of art has been written to date.
Given that galleries still drop artists when they become pregnant, a show devoted to the artist mother as a central cultural figure – too long rendered invisible – feels critically important. This is an urgent presentation of the camera as a tool of dissent and evidence gathering.
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