"The point of cinematic realism is the inner life, and the miracle of movies is their power to portray subjectivity, though few filmmakers manage to attain that power—even despite their best efforts."
"Romvari offered a nonfiction version of the story, about her own family, in her short film 'Still Processing,' which is admirable in its candor but offers raw material along with its raw emotion."
"'Blue Heron' develops the subject with an approach that reveals psychological depths from great aesthetic heights."
"The movie's point of view is established with a brief opening voice-over by a woman named Sasha, whose reminiscences of childhood, and of her brother Jeremy, make up the bulk of the film."
Sophy Romvari's 'Blue Heron' is a quasi-autobiographical film that captures the inner life of a family dealing with a brother's crisis. Set in 1990s British Columbia, the film uses a distinctive narrative style to convey emotional depth. The story is told through the perspective of Sasha, who reflects on her childhood and her relationship with her brother Jeremy. The film's aesthetic choices enhance its exploration of psychological themes, making it a poignant memory film that resonates with viewers.
Read at The New Yorker
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