"As I ran into each new problem, I would solve it by adding a new module to solve my problems," he says. He then slowly began to build each letterform piece by piece.
"One of my main aims for the typeface was to design it to type both horizontally and vertically," he continues, subsequently opting for a monospaced design to achieve as much.
"My favourite part of the process was creating this world the type would live within," says Joseph. "We built this world together, and it happens to have a typeface in it."
"It's made for holographic advertising and augmented environments," Joseph concludes, "it's bold enough for the latest outer space outerwear..."
#typeface-design #dystopian-aesthetics #creative-process #variable-fonts #illustration-collaboration
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