She Wants to Rewrite the Story of Art, Without Men
Briefly

On a Wednesday in March at the Museum of Modern Art in New York City, the art historian, curator and podcaster Katy Hessel lingered by Leonora Carrington's 1953 painting And Then We Saw the Daughter of the Minotaur.The mysterious dreamscape depicts a white bull in a red robe, seated at a table covered in crystal spheres.
Read at www.nytimes.com
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