Nadav Lapid's 'Yes' is an audacious and confrontational film that critiques the Israeli establishment's indifference to the suffering in Gaza. It employs stylized caricature and sexualized choreography to express profound political pain. The film incorporates a fictional version of a renewed song from the Civic Front, juxtaposing Nazi references with Israel's current situation. Amid the chaos, the narrative follows Y, a musician grappling with personal trauma and societal pressures while navigating a world of privilege, party culture, and a troubled reality post-October 7.
Nadav Lapid's 'Yes' confronts the indifference of Israel's ruling classes towards Gaza, presenting a harsh satire steeped in political pain and sexualized choreography.
The film portrays the trauma of those affected by the October 7th atrocities while critiquing Israel through jarring musical parodies and bold political statements.
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