The Long Walk is a dystopian slog where brutality is the main point
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The Long Walk is a dystopian slog where brutality is the main point
"When Stephen King's The Long Walk was first published in 1979, dystopian young adult fiction had not yet become a wildly popular genre. With all of its gore and brutality, King's novel wasn't really meant for children. But in the book's story about disillusioned youths being made to march through wastelands as a form of mass entertainment, you could see flashes of the ideas that would become hallmarks of dystopian YA juggernauts like The Hunger Games, The Maze Runner, and the Divergent series."
"This wouldn't be a knock against the new Long Walk if its journey took the characters on nuanced emotional arcs mirroring the scale of their horrific pilgrimages. This Long Walk features a number of strong performances, but it doesn't really have all that much to say about the heady ideas it's trying to articulate. And the movie is so unrelentingly brutal and straightforward that it winds up becoming a disturbing and tiresome slog."
The Long Walk adapts Stephen King's 1979 novel into a film that foregrounds gore and YA dystopian tropes. Francis Lawrence, who directed multiple Hunger Games films, leads a production that closely follows its source material while emphasizing parallels to modern YA franchises. The movie is set in a nightmarish, war-ravaged United States and centers on young men competing in an annual televised march-to-the-death. Performances are strong, but character arcs and thematic exploration remain underdeveloped. The film's relentlessness and straightforward brutality result in a disturbing viewing experience that feels emotionally thin and lacking in deeper social commentary.
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