The film follows Sano mourning the sudden death of his wife, Nagi. Set in a Japanese seaside town, his journey reveals past moments of love and freedom shared with Nagi five years earlier. Their encounters, marked by natural performances, evoke nostalgia and connection. The narrative unfolds as a love story in reverse, exploring chance and fate. Additionally, a Vietnamese chambermaid's struggles contrast Sano's privileged remembrance. The film balances dramatic elements with humor, ultimately conveying that happiness is transient yet deeply cherished.
In the pain and anger of his grief, everyone sounds vapid and dumb, their words meaningless blah-blah-blah.
Nagi feels like someone you might have actually met. She and Sano wander around town, young and free: dancing in a club, eating instant noodles.
In essence it's a love story in reverse. In the part set five years earlier, director Kohei Igarashi's script becomes almost like a mystery.
It is gentle, straightforward drama, beautifully acted and emotionally tuned in. Its message is obvious but true: things can be super happy, just not forever.
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