Lynda Myles expressed her excitement for the revived EIFF, emphasizing the importance of specificity amidst competing film festivals and the unique opportunity presented by being part of a major arts festival like Edinburgh.
New director Paul Ridd highlighted the festival's ambition to appeal to both local and international audiences, mentioning the integration with the larger arts scene and the strategic timing leading up to awards season.
The festival, having been rebuilt from scratch after a crisis two years ago, will showcase 10 world premieres and host a variety of discussions, enhancing its industry-focused and audience-centric approach.
The opening and closing films reflect both local talent and broader themes, starting with Amy Liptrot's memoir adaptation and ending with a documentary on Scotland's girl bands, embodying the festival's commitment to diverse storytelling.
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