Maryam Tafakory's work uniquely intertwines found footage with the traditions of post-revolutionary Iranian cinema, specifically exploring themes of intimacy, censorship, and the absence of queer narratives.
In her films, Tafakory reflects on post-revolution Iranian cinema by resurrecting stories that are often overlooked, saying, 'I want these images to confess... about what has always been buried in plain sight.'
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