'It's just take-your-breath away, raw, arresting humanity, done so exquisitely well,' says Fritch.
The instrumentation for this is largely based around string ensemble and harp. I played the kora and other string instruments that aren't necessarily native to Kenya, but I knew I could modify in a way that felt like it was its own kind of language for the Samburu tribe. It left space. It wasn't trying to emulate Samburu music, but it could have this sound of conflict.
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