Creating a Meta-Rom-Com: Karen Morey and Terence Chen on "Meet Cute in Manhattan" | Interviews | Roger Ebert
Briefly

In "Meet Cute in Manhattan," director Karen Morey and co-writer Terence Chen craft a romantic comedy that reflects upon the genre itself. The film follows characters Jason and Nora who find themselves auditioning for a dating app commercial, pretending to be in love even as they navigate their own relationships. Morey and Chen share insights into their creative process, including a debate over endings in rom-coms. While Chen believes couples should end together, Morey draws inspiration from films like 'La La Land' to suggest deep emotional impacts can exist even in separation. The backdrop of a comedic New York further enhances their narrative.
Karen Morey and Terence Chen's "Meet Cute in Manhattan" aims to humorously deconstruct the romantic comedy genre while exploring the complexities of love and relationship dynamics.
According to Terence Chen, the essential elements of a romantic comedy include a couple who end up together, transformative character arcs, and a significant comedic aspect to distinguish it from romantic drama.
Karen Morey argues that couples in romantic comedies don't necessarily need to end up together, citing 'La La Land' as an example where relationships deeply impact the characters despite their separation.
They emphasize the comedic backdrop of New York City, highlighting it as a central character that naturally enhances the humor of the romantic interactions.
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