All eyes are on Coppola in Cannes. Sound familiar?
Briefly

Forty-five years ago, something very similar played out when Coppola was toiling over the edit for Apocalypse Now. I was on the hook for the whole budget personally that's why I came to own it, Coppola said in 2019. It looked as though I was never going to get out of the jeopardy I was in.
Read at www.independent.co.uk
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