IndieWire gathered cinematographers from Oscar-nominated films to dissect pivotal scenes that exemplify their artistry. Lol Crawley utilized VistaVision in 'The Brutalist,' a choice that amplified the film's post-war themes and architectural representation. Greig Fraser, in 'Dune: Part Two,' expanded the color palette and embraced IMAX's full capabilities to enhance cultural nuances of the Fremen. Paul Guilhaume and Ed Lachman also contributed insights into their respective films, highlighting the cinematographic techniques that elevated the narratives and thematic depth.
"For 'The Brutalist,' Lol Crawley resurrected VistaVision, which worked visually and thematically to highlight post-war trauma, showcasing the brutal concrete architecture integral to the story."
"Greig Fraser's cinematography in 'Dune: Part Two' utilized an expanded IMAX aspect ratio, broadening the color palette to delve deeper into Fremen culture and enrich diverse planetary settings."
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