Maximilian Davis's recent Ferragamo show prominently featured inspirations from the iconic German choreographer Pina Bausch, showcasing a striking connection between dance and fashion. Models navigated a sea of red rose petals, a nod to Bausch's work Der Fensterputzer. Davis also incorporated elements from the 1920s and 1980s, blending these influences into a surrealistic expression that challenges typical expectations in fashion. His design choices reflect a fascination with both historical and modern representations of movement, beauty, and the provocative nature of clothing, illustrating the ongoing dialogue between fashion and performance art.
Davis' models stomped through a drift of thousands of thickly strewn red rose petals, a direct reference to Bausch's work Der Fensterputzer (The Window Cleaner) where dancers writhe in piles of poppies.
The surrealist idea of taking everyday objects and making them feel a little disturbed is something I feel very interesting, creating a sense of discomfort in the expected.
This season Maximilian Davis decided to evoke Bausch at his Ferragamo show, referencing not only her choreography but also her costumes and the immersive quality of her art.
The 1920s is a period that seems to draw designers right now… its clothes can still be worn today without seeming (too much) like costume.
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