Douglas Dunn's dance titled "L'Embarquement pour Cythere," inspired by Watteau's 1717 painting, reflects a blend of idealization and modern disquiet. Debuted by Douglas Dunn + Dancers at Judson Memorial Church, the work features a diverse score by Jerome Begin and explores themes of beauty through both dance and poetic interludes. Performers engage in contrasting movements, oscillating between ceremonial elegance and primal energy, while Anne Waldman's poetry weaves layers of thought on the nature of art. The choreography's circular design and dynamic responses to music provoke a deeper contemplation of historical and contemporary themes.
Watteau’s painting serves as both an inspiration and a contrast to Dunn's dance, which embraces pastoral charm but also confronts a darker, troubled present.
The choreography reflects a blend of antiquity and modernity, with movements oscillating between courtly elegance and bestial energy, creating a complex narrative.
Anne Waldman’s poetry in the performance explores themes of beauty and art's role, inviting audiences to question if art is an antidote or a fleeting escape.
Dunn's use of circular choreography and distinctive scoring by Jerome Begin ultimately invites viewers into an evocative, multifaceted artistic experience that challenges initial perceptions.
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