The article explores the fascinating convergence of literature and theater through Mary Shelley's creation of Frankenstein and its modern retelling in Jordan Harrison's play The Antiquities. Set in 1816, the play begins with Shelley crafting a tale of a sentient monster, reflecting a fear of creation outpacing human intelligence. Fast forward to 2240, the story is narrated by post-human beings who criticize humanity's self-perception as the peak of evolution, placing it instead as a fleeting moment in time, showcasing how technological advancements eventually led to mankind's extinction.
Mary Shelley's cautionary tale of a doctor and his electrified monster serves as a chilling reminder of humanity's fragile position in the evolutionary timeline.
The Antiquities presents a dystopian view of the future where two inorganic beings reflect on the downfall of humanity, showcasing its place as merely a transitional phase.
The play utilizes a 'timeline' structure to demonstrate the evolution of inventions overtaking human intelligence, ultimately leading to mankind's demise.
Through a series of exhibits, The Antiquities questions how humans once saw themselves as the pinnacle of evolution, revealing their inherent arrogance and shortsightedness.
Collection
[
|
...
]