Laura Donnelly noted that although New York transfers of London plays typically see minor adjustments for audience comprehension, Jez Butterworth’s new play has undergone substantial rewrites. The playwright had envisioned these changes since the play's early London run, planning specific improvements and revisions to enhance the story’s depth and emotional impact. As Donnelly mentioned, she was aware that there would be rewrites but did not anticipate the extent of the transformation, which significantly alters Act III.
Butterworth undertook a major rewrite of the third act, dramatically changing the narrative's trajectory, substance, and meaning. This transformation was not merely cosmetic; it fundamentally adjusted character dynamics and relationships, especially for Joan, a pivotal character in the play. The original portrayal of Joan differed vastly from the updated version, underscoring the evolution of themes and character arcs within Butterworth’s creative process. This significant shift allows for a richer exploration of familial bonds and individual identity.
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