Mark Manders views his artistic exhibitions as fictional narratives, where he embodies a character within his evolving creations that merge sculpture, installations, and literature.
The imaginary, yet autobiographical, space that Manders refers to as 'Self-Portrait as a Building' showcases a duality that has been developing since 1986 and reflects his artistic journey.
Manders's upcoming exhibitions in Europe, including Art Basel Paris, will highlight new sculptural works that integrate with architectural surroundings, emphasizing the interplay of space and art.
His works, such as 'Composition with Four Yellow Verticals' and 'Tilted Head,' present a deliberate unfinished quality that invites contemplation and interaction, blurring the lines between mediums.
Collection
[
|
...
]