In the exhibition 'Stony the Road' at Sean Kelly Gallery, Dawoud Bey addresses the often-overlooked experience of enslaved Africans' first moments in America. Through 14 striking black-and-white photographs and a two-sided video projection, Bey explores the Richmond Slave Trail—a testament to the harrowing journey from slave ships to markets. His work invokes a sense of historical reflection by showcasing natural landscapes that the first enslaved persons might have encountered, skillfully avoiding modern contextual clues to enhance viewers' connection to the past.
In a remarkable exhibition called Stony the Road, Dawoud Bey presents the harrowing journey of enslaved Africans from slave ships to Richmond's slave markets, emphasizing the stark beauty of nature.
Bey's black-and-white photography evokes a historical landscape, juxtaposing moments of beauty against the backdrop of somber historical significance, showing what Africans may have first encountered upon arrival.
The exhibition features 14 still photos and a two-sided video projection that invite viewers to engage with the legacy of the Richmond Slave Trail, blending art with memory.
Bey's images, such as Untitled (Tangled Branches), reflect a deep connection to earlier art photography, illustrating the haunting beauty of a place marred by the blood of its history.
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