Jonathan Rowatt's commission of a stained glass piece reflects a rebellion against modern aesthetic uniformity in Australian cafes and restaurants, showcasing vibrant artistry instead.
Jodie-Mae Holm's work exemplifies a new wave of young stained glass artists in Australia, revitalizing a craft that had seen dwindling participation among the youth.
Donna Kennedy highlighted the stark contrast in the stained glass artistry landscape, noting that in 2015 only four young conservators were trained, indicating a resurgence fueled by emerging talent.
Stained glass once was a hallmark of Australian homes, serving not just functionally but as an artistic feature, now being revitalized through contemporary artistic endeavors.
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