The article discusses how the film Nickel Boys breaks conventional boundaries of cinematography by blending visual composition with character performance. Shot primarily from a first-person perspective, the audience experiences the film through the eyes of Elwood and his companion, Turner. This approach not only enhances emotional engagement but also allows viewers to feel the characters' tensions and emotions intimately. The director, RaMell Ross, explains how camera movements simulate the natural gaze, dissolving the traditional separation between viewer and character, resulting in a visceral viewing experience that highlights the film's themes.
When she comes to give Turner a hug, which she does because she says she can't hug Elwood, she is essentially coming in close contact with Sam.
In Nickel Boys, the line between composition and performance is dissolved, creating an intimate connection between the audience and the characters.
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