For Some Old Musicals, Not Just Revival but Reappropriation
Briefly

Irma La Douce, a Broadway hit, illustrates how some musicals are best left in the past, while others should continue to be performed indefinitely.
Artists representing objectionably depicted groups can provide an authentic perspective on works with outdated views on race and gender, ensuring their continued relevance and power.
Read at www.nytimes.com
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