The sculpture, created in 1954 by Abbott Pattison, is an abstract 11-foot-tall horse that deviates from traditional equestrian art, causing division among students.
Despite being a distinctive symbol for the University of Georgia, the Iron Horse has faced neglect and vandalism, leaving it with missing pieces and corrosion.
Restoration revealed deep-rooted mysteries and misconceptions surrounding the Iron Horse, suggesting a lingering aura surrounding its controversial presence on campus.
Its rehabilitation, led by Donald Cope and conservationist Amy Jones Abbe, illustrates the challenges faced in preserving art that evokes mixed feelings in the community.
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