"AERIS is not a bicycle saddle that happens to look interesting. It is a bicycle saddle built around a single, demanding question: what if 3D printing and traditional craft weren't layered on top of each other, but designed together from the very first sketch?"
"The geometry is not decorative. It is functional in the most literal sense: the lattice density changes across three zones of the saddle, denser where firm support is needed under an aerodynamic riding position, progressively softer through the transition zone, and open at the perineal relief zone to minimize pressure."
"It takes conviction to design without a fallback. The second layer, and I do mean the second design logic rather than a second material slapped on afterward, is where a French master saddler comes in."
"The leather works mechanically, emphasizing that the choice of materials is not merely for aesthetics but is integral to the saddle's overall performance."
AERIS bicycle saddle challenges the conventional separation between technology and craft by integrating 3D printing with traditional craftsmanship from the outset. The saddle features a lattice structure created through high-precision photopolymerization, designed for specific functional zones to provide support and comfort without additional padding. This approach emphasizes the importance of geometry in design. Additionally, a French master saddler contributes with full-grain vegetable-tanned leather, which serves a mechanical purpose rather than merely an aesthetic one, further enhancing the saddle's functionality.
Read at Yanko Design - Modern Industrial Design News
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