Mark Manders distinguishes himself by observing the 'almost imperceptible spaces' between words in his sculptures, which he considers decorative ornaments that were previously constrained by his own self-imposed rules.
Manders articulates a philosophy of artistic purity, stating, 'I have to find a reason to be able to use' ornately decorative elements, indicating a tension between personal restraint and creative expression.
In his work, Manders reflects on color restrictions, acknowledging that while bathrooms default to white, towels allow for more expressive experimentation, demonstrated in his key pieces like Isolated Bathroom.
His upcoming exhibitions in Paris and Brussels mark a significant opportunity for Manders to introduce his distinctive sculptural language, built on years of self-imposed artistic discipline.
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