The white cube has long been scrutinized for its role as an ideological machine, serving an epistemological violence that suppresses diverse ways of knowing.
Under Ndikung's direction, HKW began embracing curatorial justice with vibrant wall colors, contrasting sharply with the museum's previously monochromatic aesthetic.
Despite a superficial return to white walls, the architecture of the exhibition reveals deeper complexities, challenging perceived norms of the exhibitionary model.
The shift from rigid discursive approaches to celebrating diversity in contemporary art reflects broader changes in how cultural spaces grapple with inclusivity.
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