The Islamic Arts Biennale in Jeddah has launched its second edition, titled 'And All That Is In Between', featuring scenography by OMA. With over 500 historical artifacts and 29 contemporary art commissions, the exhibition explores the relationship between faith and artistic expression. The design emphasizes abstract architectural forms and a restrained material palette through layered white fabrics and nuanced lighting, creating a serene atmosphere. OMA partners discuss their aims to forge deeper connections between the past and present, enhancing the significance of this cultural showcase.
This year's biennale presents more than twice the content of the inaugural edition, showcasing 500 historical objects and 29 contemporary art commissions, creating a rich narrative.
The design team worked closely with the Diriyah Biennale Foundation, creating an immersive environment that reinforces the significance of the Islamic Arts Biennale as a cultural event.
Kaveh Dabiri noted the challenge of harmonizing the scenography with diverse works, employing an abstract language that blends past and present for deeper visitor engagement.
The scenography, characterized by lightness and translucency, avoids traditional presentation styles, inviting more profound interactions with both historical artifacts and contemporary artworks.
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