"It was a lovely, seamless relationship between concept, digital processes, and mechanical fabrications-165 pieces manipulated into the six-and-a-half ton object," says Hornby from his studio in northwest London. "But when people look at it, they don't see that at all."
"I like to think that one of the distinctive features of my work is its ambition to capture the imagination of anyone, not limited to the art world; to try to address complicated ideas in plain English. Anyone will recognize the trope of the man on the horse and will have a reaction to how I have manipulated it."
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