"Of all the things that I found interesting in painting on a formal level, I suddenly thought 'well what if these ideas could be translated into glass?"
"Glass was the happy medium between my background as a painter and these material experiments. Things like obfuscation, ambiguity, covering stuff up were suddenly possible."
"Unlike glass blowing where you mould hot glass live, with fused glass you literally have to shut it in there and wait to see what happens."
"My entire life approach is about what happens in these liminal, somewhat unknown spaces."
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