"She is one of a number of women artists whose reputation did not last much beyond their life, because all of the emphasis was on these heroic men moving things forward," says Christopher Riopelle, the Neil Westreich curator of post-1800 paintings at the National Gallery.
"She dies within a few weeks of Manet, so her fame has been very much associated with him, more than it needed to be," Riopelle says.
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