Maya Fuji's exhibition, "Igokochi," at Charlie James Gallery features paintings and installations that merge Japanese folklore with contemporary themes, focusing on identity and dual cultural heritage. The title signifies the unique feeling of specific places, with artworks showcasing both ancestral figures and playful deities in remembered interiors. Fuji's paintings reflect the influence of Nihonga and manga, reclaiming her aesthetic heritage while addressing cultural stereotypes. The figures represent Sorei gods, emphasizing familial connections. Additionally, smaller figures illustrate Tsukumogami, household spirits, deepening the exploration of identity and the spiritual within domestic spaces.
Incorporating Japanese mythology and modern aesthetics, Maya Fuji's "Igokochi" exhibition invites viewers to explore identity, heritage, and the emotional resonance of space.
Fuji's work celebrates traditional craftsmanship while also embracing a playful, modern sensibility, negotiating the cultural intersections of her life across two continents.
The figures in Fuji's paintings represent Sorei gods, protectors formed by ancestral spirits, emphasizing the importance of family heritage and spiritual connections in her art.
By blending influences from Nihonga painting and manga, Fuji reclaims her aesthetic heritage, transforming stereotypes into a celebration of her cultural identity.
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