The works depict forms which proliferate across the canvas with a fluidity of line, reproducing themselves through uncanny replications that playfully negotiate naturalness and unnaturalness.
Greene's practice considers the oversimplification of binaries, operating at the porous border between two seemingly distinct notions.
Depicting the internal upon an external surface, converting the microscopic into the macroscopic, Greene's forms become something with which we have to contend.
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