Flora Temnouche's debut solo exhibition in the U.S., 'reality is spam,' presents her paintings that capture everyday domestic life. By painting natural light in her apartment-studio, she pays close attention to surrounding objects - like wilting flowers and a cut melon - which serve as reflections of transient beauty. Her works delve into the depths of her environment while also representing the process of painting itself. Through a hazy quality and muted color palette, Temnouche echoes the tranquility found in stillness, reminiscent of artists like Gwen John and Giorgio Morandi, creating a layered artistic narrative.
Megan Mulrooney's exhibition of Flora Temnouche, 'reality is spam,' invites viewers to contemplate the beauty of everyday observations in a serene manner.
Temnouche captures the nuances of her immediate surroundings, focusing on fleeting moments that reflect the interplay of light and form, demonstrating an artistry that celebrates the simplicity of domestic life.
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