Joung's artwork employs hanji paper to depict Korean shanty towns, where she layers crumpled fragments, creating cityscapes that blur the lines between painting and photography.
The absence of human figures in Joung's pieces serves as a powerful commentary on community, with lights symbolizing the presence of individuals within the urban landscape.
Aimee Dawson posits that Joung's works resonate globally, as they reflect the universal stories of marginalized communities found in cities around the world.
Way Back Home showcases the intricate connection between Seoul's cultural identity and its architectural landscape while addressing themes of isolation and resilience.
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