"Fewer and fewer New Yorkers may recall that the museum, in a then-grimier city, used to be beige," writes the New York Times' Michael Kimmelman.
Robert Moses thought it looked like 'jaundiced skin.' Hence, presumably, the decision during a 1992 expansion to paint over the earthen hue of Wright's choice.
It could have fit quite well into the Memphis-embracing nineteen-eighties, and even the postmodern nineties.
Wright had contemplated some pretty far-out colors - Cherokee red, orange, pink.
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