The title, Public Matter, emphasizes that this biennial is for everyone. The idea behind it was to make art accessible without needing to enter museums or pay to access spaces.
Wael Al Awar's Barzakh pavilion repurposes marine waste to envision sustainable construction practices, while Henrique Oliveira's Desnatureza 7 lays a large, contorted tree at the doorstep of the bus terminal.
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