Bharti Kher's 'Target Queen' installation beautifies London’s Hayward Gallery with vibrant circles resembling bindis, exploring South Asian femininity, spirituality, and nature.
This artwork calls for greater representation of femininity and divinity. It is also an exploration of how the two intersect in vibrant and powerful ways.
Kher has been using bindis in her work since 1995 to challenge themes of identity, culture, and spirituality, making them integral to her artistic expression.
Kher transforms everyday objects into artifacts of spiritual and ecological significance, prompting viewers to reconsider their histories and meanings through her art.
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