In his exhibition, Western Beef, Anthony Olubunmi Akinbola explores the transformation of cultural identities and commodification, presenting a thought-provoking critique through wood-carved goats.
Western Beef challenges the perception of cultural exports, particularly the essence of African identity, as these commodities are reshaped and valued differently by Western markets.
The centerpiece, a herd of wooden goats including one with Akinbola's own face, symbolizes the objectification and transformation of cultural significance in global trade.
Akinbola's installation Carousel evokes the movement of commodification, prompting viewers to confront the implications of mass production on race and cultural identity.
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