Andrea Fraser constructs her exhibition around the theme of collecting as a way to interrogate broader economic and political implications within the art market.
Fraser’s work critiques the art world by examining how cultural consumption intersects with class, and emphasizes the complexity of collecting beyond mere taste.
In her seminal performance, she uses satire to highlight the intricacies of social roles in the art world, which informs her current focus on collecting.
Fraser points out that the act of collecting can reveal a range of motivations, navigating beyond aesthetics into deeper socio-economic contexts.
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