Cohen's Trabantimino project illustrates her journey of identity and belonging, merging disparate cultural influences into a cohesive expression of her artistic vision and heritage.
The inclusion of various Latinx artists in the Xican-a.o.x. Body exhibition reflects the curators' aim to broaden the narrative of Chicanx art, which has often been narrowly defined.
With the Trabantimino, Cohen seeks to transform an object perceived as unfit for belonging into a recognized part of a vibrant cultural movement.
Vicario argues that Chicano art has been overlooked because it often failed to recognize and embrace a wider range of cultural possibilities, emphasizing the importance of inclusivity.
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