The Grossest Psychological Thriller of the Year is a Disappointing Misfire
Briefly

The Front Room, while marked by Kathryn Hunter’s transformative performance, ultimately falters due to a lack of conviction and depth in its storytelling.
The film explores themes such as evangelical hypocrisy and the divine feminine but fails to develop these ideas into a meaningful narrative, leaving their potential untapped.
Brandy Norwood's portrayal of Belinda sheds light on the struggles of being overlooked and underappreciated, paralleling her academic fight against student disinterest in her curriculum.
While inspired by Susan Hill’s short story, The Front Room lacks the richness and detail necessary to elevate it from a thin cinematic experience.
Read at Inverse
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