The Art of Fiction No. 69
Briefly

The most striking feature of the room is a large blown-up photograph above the sofa of García Márquez alone, wearing a stylish cape and standing on some windswept vista looking somewhat like Anthony Quinn.
When García Márquez speaks, his body often rocks back and forth. His hands too are often in motion making small but decisive gestures to emphasize a point, or to indicate a shift of direction in his thinking.
Read at The Paris Review
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