The article discusses the world premiere of We Are the Lucky Ones at the Dutch National Opera, highlighting the significance of the ghost light on stage. This light serves both as a practical safety measure and a nod to the supernatural, aligning with the opera's exploration of personal stories. Based on interviews with individuals born between 1940 and 1949, the opera presents a rich tapestry of narratives that reflect the generation's secrets, regrets, and broader societal issues. The work, while moving, avoids simple indictments, focusing instead on compassion and the complexity of human experience.
The ghost light, an enduring symbol in theater, signifies both safety and a supernatural presence, welcoming spirits as artists prepare to share their own truths.
We Are the Lucky Ones is a portrait of a generation born between 1940 and 1949, encapsulating their secrets and regrets through the voices of eight singers.
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