Oliver Cotton's play, THE SCORE, directed by Trevor Nunn and featuring Brian Cox as J.S. Bach, examines the complex interplay of spirituality and politics in 1747. The narrative centers on a wager at Frederick the Great's court, challenging Bach's musical prowess against the backdrop of Enlightenment ideals and tradition. As Frederick advanced modern governance, Bach remained devoted to his faith, highlighting their philosophical conflicts. The setting reflects historical tensions relevant to today's societal challenges, making it a thought-provoking piece on the clash of ideologies.
In THE SCORE, the tension between Bach's devotion to faith and Frederick's progressive statecraft serves as a reflection of contemporary societal conflicts over spirituality and authority.
The central conflict unfolds as an unwitting J.S. Bach faces a daunting challenge from Frederick's court, which encapsulates the struggle between tradition and modernity.
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