The article discusses a new interpretation of the classic ballet "Raymonda," directed by Tamara Rojo for San Francisco Ballet. The original, set in 1898, depicted the struggles of a noblewoman torn between two suitors, encapsulated by perfect, yet constrained, ballet movements. Rojo's version introduces a feminist lens, allowing the protagonist to explore personal agency beyond romantic entanglements, reminiscent of figures like Florence Nightingale. The update maintains elements of the love triangle while eliminating tragic endings, resulting in a portrayal aligned more with modern sensibilities and 1990s romantic comedies than traditional narratives.
I always thought ballet would be a music box come to life. In reality, one heroine fumbles every life decision and ends up in a swamp.
Raymonda has perfect posture but minimal personal agency; She twirls for the affection of two men, one a war hero, the other a bad boy.
Creative Director Tamara Rojo's update puts a feminist perspective on Marius Petipa's original work. The love triangle remains, but no one dies.
This brings gender politics a full century ahead, giving me more 1990s-00s Wedding Planner vibes than traditional ballet.
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