The article discusses the reimagined ballet 'Raymonda' under Creative Director Tamara Rojo, presenting a feminist perspective on the original work by Marius Petipa. In this update, the protagonist, who has traditionally lacked agency, is now portrayed with more freedom and personal conflict, including career aspirations. The production retains elements of a love triangle but eliminates fatal consequences. Rojo's rendition brings modern gender politics to the ballet stage, showcasing how the narrative adapts to reflect contemporary issues.
I always thought ballet would be a music box come to life. A dainty princess twirls in a stiff tutu while a prince solemnly assists, and the whole performance would serve up a tax-free inheritance in pointe shoes - polished, rarefied, and untouched by mortal concerns like gravity or sweat.
Raymonda hasn't strayed too far in Rojo's recent update, which puts a feminist perspective on choreographer Marius Petipa's original work. The love triangle remains, but no one dies now.
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