The article discusses Edvard Munch's stay at Dr. Daniel Jacobson's clinic in 1908 for alcohol-induced psychosis, and highlights Munch's prolific output of portraits during this period. Notably, the exhibition focuses on his portrait of Jacobson, capturing the doctor's fierce intelligence. Contrary to popular belief, Munch was a social figure who painted various notable individuals across Europe. The article critiques the exhibition's narrative, suggesting a disconnect between the portrayals and the descriptions, shedding light on Munch’s dynamic interactions and successful career beyond his more famous works.
Munch's portrait of Dr Daniel Jacobson showcases not just the artist's struggle but his energetic connections with those around him, painted during his treatment for alcoholism.
The exhibition highlights Munch's social nature, contrasting his common portrayal as a solitary figure, as it showcases his interactions with diverse individuals across Europe.
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